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“When it came to the choreography of the sex scene, Conor took care of all that,” she says.
“He decides how he wants to frame it and how we will move, and we discussed where it might work.
There was a reduced crew, as there usually is for these scenes.
Crew are really respectful in this situation.” As the charted the emotional, but ultimately doomed love affair between Patrick (Dunford), a young man with schizophrenia, and the suicidal Karen (Catherine Walker).
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It is made to look like the camera has chanced upon an intimate moment between two people, but the reality of constructing it couldn’t be further from that.” : “Domhnall and I had our jeans on during that scene, while his girlfriend and my husband sat in the room next to us during filming,” she says.
Certainly, sex scenes require a level of vulnerability and trust (in both co-star and crew), yet in Campbell’s experience, other aspects of acting can be much more emotionally demanding.
Creating an intimacy and chemistry between the two characters was paramount, and integral to the film’s heft.
Yet it was Dunford’s first foray into previously unchartered territory.
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